Dark rooms, bright memories
Thomas Reider (scriptwriter) and Bernhard Steinmann (filmmaker) write about the movie “Great Freedom” (2021)
Thomas Reider (scriptwriter) and Bernhard Steinmann (filmmaker) write about the movie “Great Freedom” (2021)
Keith Lowe, Writer and historian, th author of Prisionieros de la historia: Monumentos y Segunda Guerra Mundial (Galaxia Gutenburg, 2021)
Claudia Wasserman, PhD in Social History (Federal University of Rio de Janeiro – UFRJ), Professor of History at the Federal University of Rio Grande do Sul (UFRGS), CNPQ Researcher, member of Luppa
Clémentine Deliss, Global Humanities Professor in History of Art at the University of Cambridge, Guest Professor at Städelschule, Frankfurt, and Associate Curator at KW Institute for Contemporary Art Berlin
Reed Brody, Human rights lawyer and author of To Catch a Dictator: The Pursuit and Trial of Hissène Habré.
Gustavo Meoño Brenner is a key person in the armed conflict and the transition to peace in Guatelama
Emir Suljacić, Director of the Srebrenica Memorial Centre
An essay by lko-Sascha Kowalczuk
The construction of memorials and museums all over the globe seems significant in the sheer vastness and magnitude of their number, as well as in the significance that these sites of memory may have in, and for, affected communities.
During the Croatian War of Independence, the Croatian Army and military police had occupied the barracks, which were then handed over to the city of Rijeka and finally transformed into the university campus that opened in 2011. Since then I have heard rumours that a monument to the Spanish Civil War had once been located on the site of the former barracks, but the building of the campus had completely changed the landscape and all my efforts to track down information on the possible existence of a monument were fruitless.